The Kutch place has a rich cultural history. One mark of this was the Kamangari school of painting peculiar to the region. In days of the past the wealthy and the ruling class patronized these artistes to paint the walls of the houses, workplaces and worship.The speciality of Kamangari art was so that they survived longer that the paintings were done on on a damp merged history. The artistes used brushes made from the bark of palm trees, using shades taken from pebbles, leaves and clay combined with gypsum.The themes of the painting were scenes from the Indian epics as also from the day-to-day life of the folks of those times. Nevertheless, some such pictures included scenes of objects and activities that have been perhaps not existent in the Kutch area of more than a hundred years ago. The reason given for this is that numerous individuals from this area moved to the rest of India along with abroad for seeking livelihood. There they came into contact with railways, planes, cricket fits that has been something fresh for them. When they came back to their native areas, they got the Kamangar artistes to paint these scenes on their walls.When the English arrived in Kutch they provided yet more topics to the Kamangari artistes who have been now showing the Burra Sahibs (the big bosses), uniformed cops, group parties inside their paintings. The first English political agent with this region Capt. McMurdo got his property surfaces decorated with the views from the Indian epics by Kamangari artistes. His bungalow is one of the few places where this art has been preserved till now.A particular thing worth writing about this art was that many of the Kamangari artistes were Muslims however they had no issue painting the Hindu epics or human figures in their work. Many of the Kamangari paintings were done surfaces, some artistes used paper for this art.After enjoying the popularity for an extremely number of years, the art started dying out in with the coming of the nineteenth century and today it’s as effective as vanished with no active Kamangari artistes involved in this work. The decrease of the art is credited by students to the socio-economic changes of the region as well as arrival of other methods of expression and entertainment.But as the paintings were completed with very long-lasting colors, there are always a few areas in Kutch where they can be seen. And the Kutch Museum has some examples of testimony is born by the art which to the unmatched, superb talent of the completed artistes. The significant cases would be the Muhharam search in the Kutch Museum and the Royal Procession move in the Aina Mahal, yet another museum in Bhuj.
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